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Sammo Hung is the Hardy to Jackie’s Laurel, the Ginger to his Fred – a wonderful comedic duo that are also a pair of performers of unbelievable athleticism, agility, and choreographic genius.
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Chan didn’t quite get there, but that seal of approval is even better. It’s such a standout from the star’s usual performances that it won him a Golden Bear for Best Actor and led legendary Taiwanese filmmaker Edward Yang to proclaim he was good enough for an Oscar. It’s fitting for the tone of this stripped-down, gritty procedural (based on a real story, no less) that finds Chan at his most dramatically charged role.
#The art and soul of blade runner 2049 movie#
Jackie Chan is, of course, the undisputed master of action comedy, but “Crime Story” proves that, had he ever had the desire to shed his comedic persona for a more serious one, he would’ve been equally successful.ĭirector Kirk Wong’s movie has none of the silliness that defines most of Chan’s work, and surprisingly very little of martial arts set pieces the action style is closer to the heroic bloodshed work of John Woo and Ringo Lam, with an emphasis on shootouts. He hadn’t yet found his particular style, that unique mix of action and comedy that is entirely his own, but much like the title character of this picture, he was a master even at the tender age of 25 – which is how old he was when he directed this. Taking cues from the masters who had directed him up to that point, especially Yuen Woo-ping, Chan stages fight after fight with an impeccable sense of movement, tight grasp of rhythm, and truly hilarious comic timing, waving terrific gags in between the complex choreographies.īeyond being a performer of unmatched energy and charisma, from very early on Jackie was already an intelligent director. “The Young Master,” Chan’s second effort behind the camera (after the also very good but slightly less accomplished “Fearless Hyena”) is a pitch-perfect distillation of two decades worth of Hong Kong martial arts cinema. What makes Jackie Chan one of the most essential cinematic entertainers of all time is not only his unmatched athletic prowess and unwavering commitment to the bit, but also his understanding of cinematic language, from framing to editing, and how he uses that to better realise his stunts. But don’t be fooled by his films made in the West his work in Hong Kong is essential – the best of which this list gathers for your viewing pleasure. So, as said, Jackie Chan is a once-in-a-lifetime kind of performer whose name should evoke joy and awe rather than the swift, ignorant, uninformed mockery it often elicits (due, unfortunately, to his admittedly terrible American phase). Like Keaton, he’s the most ingenious creator of death-defying stunts as physical comedy like Kelly, he’s a brilliant choreographer who finds artistry in the way the human body moves through spaces and who also possesses a superman ability to execute those athletic moves and like Lee, well, he’s just a badass of a kung fu fighter, who defined for generations what a true martial artist looks like.
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It’s not an exaggeration in the slightest to say that Chan is the heir to Buster Keaton, Gene Kelly and Bruce Lee all at once.
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So while it’s undisputed that Chan is far from a brilliant actor, he’s an unequaled performer in the sense that he is not only a martial artist of unparalleled speed, creativity and dauntlessness, he’s also a comedic presence the likes of which only existed during the silent era.
#The art and soul of blade runner 2049 professional#
Jackie Chan is one of the greatest film performers of all time.Īfter all, performance doesn’t just mean acting a dancer is a performer, just like a musician, a comedian, and of course, a professional screen fighter.